Reefer Madness

Reefer Madness

It’s a bike, it’s a sculpture, it’s a … Bio reef. Sunk in the seas off the gilis. Words by Drew Corridore. Pics by Nicole Gozzer.


Bikes, boards and Bali go together says Ano Mac of Deus Ex Machina … and Biorock ‘n’ roll.
The gang at the Deus Temple of Enthusiasm has dropped the rock, and is rollin’ out a reef off the coast of Gili Trawangan as a way of stopping the island’s sandy shelf from slipping off into a very deep oceanic trench …
… and as a way of rehabilitating an area that has been devastated by dynamite fishing in the past.
Ano (an Aussie) is in charge of the project that was the brainchild of Celia Gregory from Bali’s Marine Foundation. She’s built some Biorock (a trademark) reefs before – up north near Pemuteran. But Ano has taken the concept and turned it into a free-diving amusement event. The only place in Indonesia where you can have your photo taken on a motorcycle … underwater.
The bike will turn into coral soon enough (two to five years) so you have to be quick-ish.
Biorock reefs are the result of the musings of marine scientist Wolf Hilbertz who discovered that by making a metal mesh and sinking a metal structure around it, then putting a small (solar-powered) electrical charge through the mesh, calcium would grow on the structure. Followed by coral-based flora, which, in turn, attracts the fauna. Bob’s your uncle … habitat baby!
“When Celia walked in here with the idea of making a reef at Trawangan she was looking for sponsorship money,” Ano says.
“But Deus is a little big company and we don’t have a lot of money to throw around.
“But what we did have is a lot of old bits of metal.”

This bounty comes from the fact that Deus strips down motorcycles in order to rebuild them with their own distinctive, retro styling.
“So we said, ‘why don’t we build our own bio-reef frame out of all the stuff we’ve got lying around here’,” Ano says.
“Celia contacted Delphine Robbe at the Gili Eco Trust and together they organised the other paraphernalia necessary for the project.
“You can’t just make a metal frame and sink it because it’ll just rust away.”
A solar array and “sacrificial anode” (a titanium mesh) to carry the charge had to be bought. The small electrical field (1.5 volts) prevents the metal from rusting, instead, allowing it to calcify.
“The surf side of Deus is all about the water and a lot of us are mad divers so it seemed an obvious thing to do to get involved in a project like this,” Ano says.
“It’s not a big advertising thing for us but we thought it would be fun to sink an actual motorbike on the rock so people can free-dive down and sit on it.
“We wanted to design something that was distinctively Deus – so our reef has got bikes and waves; things that are hallmarks of what we’re about.”
There are other Biorock reefs around Bali – notably the Coral Goddess, which was designed by Celia – of the coast of Pemuteran. And there are others dotted around the Gilis, which has been the site of the annual Biorock conference in the past under the auspices of the Gili Eco Trust.
So go and have a look – 50 metres out in front of the Gili Cafe and six metres down. Hold your breath a bit and have your pic taken on the underwater Deus bike … easier if you’re kitted out with SCUBA gear.

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Better Belig

Better Belig

Katrina Valkenburg visits the latest in a string of beach bars – Karma Beach Club – that have affected her myriad coastal meanderings.


What is it about the beach that makes us all feel so much better? The sea air and salt water have therapeutic properties for sure but there’s also the feeling of sand underfoot, the smells of marine life – not always so romantic – and an innate sense that all is beautiful in the world. Whatever the reason, beaches have the tendency to allow all our woes and worries to float off in a balloon into the wide blue yonder.
And so it is that some of my most fond memories revolve around the beach. When I was young, my family used to holiday annually on an island not far off the coast of Sydney along with the same other families, year in, year out. There was only one car on the island so we ran about barefoot and fancy free investigating the rock pools (where, as we found out later, the deadly blue-ringed octopus resided), swinging on the roots of oversized Fig trees (which, we found out later, were Heritage listed), poking into holes where extraordinary marsupials lived (which, we found out later, were endangered species) and reluctantly dawdled home only after the sun had retreated and our dinner of freshly caught kingfish was served with a salad made purely of iceberg lettuce. It was simple and it was exquisite.
As we grew up, and our bedtime was extended, our beach games became a little more adventurous. One that I remember fondly (hehe) was a take on Hide and Seek, we named it Hide and Sex, the major difference being that you had to pair off and hide and if you were locked into a full-on mouth-to-mouth when caught, you were IN. This occasionally resulted in lockjaw as our hiding places sometimes took an immeasurably long time to be discovered. Innocent enough!
Later again we discovered alcohol. The older boys would somehow acquire a cheap bottle with high alcohol content and we would shimmy down to the moonlit beach and drink the forbidden liquid straight-up, sitting around a campfire telling ghost stories. This often led to inebriation and unpleasant outbursts.
Soon after, we were all grown up and we scoffed at our childish shenanigans. We were adults now and we were allowed to drink alcohol and kiss whomever we liked in public. The places that now titillated our imagination and yanked away our hard won moolah were beach bars in far-flung places around the world filled with an ever-increasing number of New Best Friends.
There was Thailand, where the local brew was sahtoh, made from fermented rice. It was cheap and palatable enough to drink enthusiastically. However, the next day was not so kind to you and it was unlikely a second night on this brew was ever on the cards.
Then there was southern India’s Feni, which has a rather distinct and sharp smell and can be identified from a distance, a little like Durian on a hot day. The less said the better. Partnered with locally grown hooch, life became exotically frenetic.
The Greek Islands too had their favourite, Ouzo, locally brewed to catastrophic proportions and mixed with anything from water to cola. The Norwegians were known to start drinking it before their plane left Oslo. Many never booked accommodation, preferring to spend their nights in an Ouzo-blur on the beach, and for two weeks of fun and game didn’t give up until they found themselves once again back in Oslo.

Brazil, and we’re into the very serious beach bar culture. The coastline is littered with coconut wood structures luring the uninitiated into a permanent state of euphoria with the local hooch Cachaça. Blended with limes, cane sugar and plenty of mint, this diabolical concoction is sure to bring on blindness and, if enough is consumed, utter madness.
On the beach in Sanur in the old days it was Arak that was made into a lethal cocktail called an Arak Attack and really should come with a label warning of its potential for definitive and very severe hangovers.
The years have slipped by, not always gracefully, but the beach bars of the world still hold great appeal to this young-at-heart self. For nearly 25 years I’ve been frequenting shabby yet friendly beach shacks on the south and west of Bali’s coastline to have a cold beer and watch the sunset.
Then, about 17 years ago, La Lucciola restaurant became THE place for dinner beside the beach. Soon after, The Legian Hotel was built and the little village of Petitenget was put on the map. The Legian’s Pool Bar became the ultimate place for amazing cocktails, impeccable service with a smile and a magical setting to watch the sun set in the west over the Indian Ocean.
The coolest places in Bali were heading west.
And they’re still heading west. The tiny seaside village of Batu Belig has been transformed in less than a year by a couple of newcomers.
First there was La Barca, shaped a little like a boat, that had all the attention – great position, great cocktails, happy staff and DJs spinning until the early hours of the morning.
And now there’s Karma Beach Club at Batu Belig. Made almost entirely from bamboo and its by-products, it’s a truly fabulous addition to the world atlas of beach bars. Owned and operated by the Karma Group, the concept will be emulated in other such stunning settings of Gili Meno, Fiji, Cancun and the Bahamas on an immediate rollout over the next six months.
The menu, designed by Australian chef Brad Harrison, spans breakfast through to dinner and everything in between and all the dishes are scrumptious – fresh, vital, innovative and delicious. Brilliant, thin and crispy based pizzas, Mezze plates, Mediterranean plates filled with yummy dips, hot salami, prosciutto and more. Seafood platters of delicately cooked fresh seafood and a host of other equally delicious morsels are all perfect for beachside dining.
And then there’s the wine list – superbly designed to whet your appetite and with a 16 by-the-glass option, a stand-alone for Bali’s beach bars.
Have a dip in the relatively safe ocean, lie in the sun for 20 minutes, don a kurta and retire to the shade of the restaurant and while away the hours grazing on tasty titbits, while imbibing some seriously good cocktails or wines.
Beach bars will never be the same again, the benchmark has been raised by Karma and there’s no turning back. This can only be good news for good times, and possibly not so good for the morning after. But what the hell.

Katrina Valkenburg is a wine consultant and educator. All correspondence to katrinav@mac.com

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Paranoid Android

Paranoid Android

Andrew E. Hall fights to reconnect.


A disconnected generation hung up on the virtual world. How do we keep it real?
Virtual reality is the first step in a grand adventure into the landscape of the imagination.
- Frank Biocca et al in Communication in the Age of Virtual Reality

Really?
And there I was thinking we’d taken the first step, and several thereafter, quite some time ago.
In one careless sentence Frank and friends have wiped out philosophical, scientific, literary, musical and artistic endeavour (and more) spanning the millennia that preceded the invention of the computer (also carried out, funnily enough, without the assistance of computers). They have also made a statement that many would accept at face value because of the sheer ubiquity of our preoccupation with technology.
Cleopatra will be kicking herself for compiling and maintaining one of the most important knowledge repositories in recorded history – the library in Alexandria.
Ludwig von Beethoven will be tremendously disappointed to find out that his sonatas and symphonies are not part of a “grand adventure into the landscape of the imagination”.
Galileo Galilei will think himself a twit for the time he spent being tortured by the Inquisition for his observations of our solar system.
Picasso will just be pissed.
Filmmakers will sob into their sorbets at Cannes.
Such is the hegemony of the idea of “virtual reality”, and the technologies that attempt to facilitate it in people’s lives these days that there has been a quantum shift in the way we relate to each other. And for better or worse, in the way we think.
Just when we thought we might have begun to understand the nature of reality – which is difficult enough (try talking to a traditional shaman; a sufferer of psychotic episodes; a priest; a priest talking to an atheist!) – it goes all “virtual” on us. Adding new, and no doubt interesting, dimensions to our collective ignorance. To our fundamental inability to deal with what is in front of our faces.
Henry Miller said: “Chaos is the score upon which reality is written.”
Yet into the chaos steps a form of order with which we can “interact” and manipulate to our hearts’ content – safe in the knowledge that if everything goes pear-shaped we can simply hit the reset button.
Virtual reality encourages us to create avatars of ourselves – endowed with powers we can never hope to attain in our “real” lives. But in some cases those avatars become incorporated into the holistic “me” in some sort of schizophrenic schism of the sensual world that is defined – for most of us – by our five senses (perhaps six, if you’re mobilised in metaphysical realms), not by the pixelated prerogatives of proprietorial popinjays.
Our infatuation with “information” technology (IT) and its little sister, social networking, has messed with meanings in the languages we speak.
Our sense of place is virtual space.

The notion of “being on holiday” is an interesting one. I read a newspaper article recently that went into considerable detail about how to prepare for a holiday whilst ensuring that you were able to be “connected” to the rest of the world while you were “away”. Apparently, according to the author of this piece, one shouldn’t trust resort or accommodation websites when they advertise Wi-Fi access to guests. Why would anyone fib about this? But, no, it is de rigueur to call (with a phone) ahead to interrogate the staff of your intended destination about the availability of an internet connection.
Why wouldn’t they fib on the phone as well?
Once you can rest assured that connectivity is yours for the asking you can then proceed to your destination – poste-haste would be best, just in case you miss something on the way (and I’m not talking about beautiful panoramas or interesting encounters with actual people here). The kids can be distracted by burying themselves inside tablet-mounted gaming apps, so the opportunity for familial communication, sing-alongs, even the odd game of “I Spy”, so memorable in my childhood, is exchanged for silences broken only by digitised bursts of gunfire or things that go “boing”.
And unsolicited ululations of: “Killed another one Amy …”
“That’s nice dear,” says mommy.
I was sitting in a pub on Bali once (not so long ago) when a couple with whom I am acquainted rocked into the place from their home country. Having arrived at their intended destination – which happened to be the richly cultural town of Ubud – for less than an hour, and after the usual niceties of re-acquaintance (no time flat), the wife had her netbook whipped out and was looking up ticket prices for a trip to Vietnam … the following year.
“Hey look, darl, we can get to Ho Chi Minh for five hundred return; no, no, wait a minute; if we go on the sixth we can get it for four-eighty-nine … waddya reckon?”
“Book ’em love … I’m off to my yoga class.”
Unfairly, it was me who had the existential “where the hell am I” moment. I could have been anywhere. But I thought about asking her to book one for me too because I quite like Vietnam and four-eighty-nine sounded like a pretty good deal.
I have similar cravings for an iPhone but am resisting stoutly.
I resisted joining any social networking site as well – swearing never to indulge in what I believed to be time wasting nonsense.
I lied.
Research is research after all, so I am now on Facebook and have, wait a sec … 20 friends (not bad for 10 or so days where my own rules preclude me from “friending” another); one just added as I was checking. I have no idea who she is. But we’re friends now.
Will we still be friends if I shut down my membership of the club that has 800-plus million members? Will my friends even notice that I’ve disappeared? Will they just get some other friends to play with?
I don’t know. I don’t even know how to disentangle the web I’ve created – being technologically inferior to most five-year-olds.
Lessons learnt?
Going on Facebook really clogs up your email account; if I spent any time at all cross-referencing my friends with their friends I wouldn’t have enough time to clean my teeth; try to avoid mounting pictures of yourself on your “wall” after a serious drinking session; sometimes people post things that are interesting, with the same frequency that I get the urge not to smoke cigarettes; I have neither found a new wife, nor sold my house – which were objectives I set in the rather short period between joining that and writing this.
Some of my friends – the sort I can actually experience in corporeal 3D – say I was needlessly optimistic in setting such goals from the get-go.
But I’ll have to go online to get a wider opinion base.
“(O)ur self-portraits are democratic and digital; they are crafted from pixels rather than paints. On social networking websites like MySpace and Facebook, our modern self-portraits feature background music, carefully manipulated photographs, stream-of-consciousness musings, and lists of our hobbies and friends. They are interactive, inviting viewers not merely to look at, but also to respond to, the life portrayed online. We create them to find friendship, love, and that ambiguous modern thing called connection. Like painters constantly retouching their work, we alter, update, and tweak our online self-portraits; but as digital objects they are far more ephemeral than oil on canvas. Vital statistics, glimpses of bare flesh, lists of favorite bands and favorite poems all clamor for our attention—and it is the timeless human desire for attention that emerges as the dominant theme of these vast virtual galleries.
Although social networking sites are in their infancy, we are seeing their impact culturally: in language (where to friend is now a verb), in politics (where it is de rigueur for presidential aspirants to catalogue their virtues on MySpace), and on college campuses (where not using Facebook can be a social handicap). But we are only beginning to come to grips with the consequences of our use of these sites: for friendship, and for our notions of privacy, authenticity, community, and identity. As with any new technological advance, we must consider what type of behavior online social networking encourages. Does this technology, with its constant demands to collect (friends and status), and perform (by marketing ourselves), in some ways undermine our ability to attain what it promises—a surer sense of who we are and where we belong? The Delphic oracle’s guidance was know thyself. Today, in the world of online social networks, the oracle’s advice might be show thyself.”
– From Virtual Friendship and the New Narcissism by Christine Rosen.
As we speak there is much media chatter about Facebook’s initial public offering – a staggering 50 billion dollar public offering on a company that is generally valued at between 90 and 100 billion dollars. This valuation has nothing to do with the sharing and caring that goes on; it has everything to do with the fact that we who have signed up on the so-called social network are resources in a vast data mining operation with which Facebook makes its money – by enabling advertisers to target their products with great precision. In similar fashion to Google but without most of the security/privacy settings that Google offers.
Founder and CEO, Mark Zuckerberg puts a slightly different spin on what his creation is “really” all about, as reported in a recent New York Times article: “Facebook was not originally created to be a company,” he wrote in a letter to potential investors that was part of Facebook’s filing. “It was built to accomplish a social mission — to make the world more open and connected.”
Mr. Zuckerberg went on to compare his invention to the printing press and television: “Facebook aspires to build the services that give people the power to share and help them once again transform many of our core institutions and industries.” And there is this: “We don’t build services to make money; we make money to build better services.”
Over to you to decide on where the reality, virtual or otherwise, lays on that one.
The following excerpt from an article written in late January by Rob Waugh in the Daily Mail might help clarify things for you: “Facebook’s Timeline – a new look for people’s Profile pages which exposes their entire history on the site – will become mandatory for all users.
The ‘new look’ has been voluntary up until now.
From now, users will simply be notified that they are being ‘updated’ via an announcement at the top of their home page, which users click on to activate Timeline.
As with voluntary switches to Timeline, those who are ‘updated’ will have just seven days to select which photos, posts and life events they want to advertise to the world.”
In other words, once you have been “notified” you have seven days to clean up your Facebook act before your history becomes cocked and locked for the prying eyes of marketing predators.
Again, Zuckerberg sees it his way: “We believe building tools to help people share can bring a more honest and transparent dialogue around government that could lead to more direct empowerment of people, more accountability for officials and better solutions to some of the biggest problems of our time.
By giving people the power to share, we are starting to see people make their voices heard on a different scale from what has historically been possible. These voices will increase in number and volume. They cannot be ignored. Over time, we expect governments will become more responsive to issues and concerns raised directly by all their people rather than through intermediaries controlled by a select few.”

But if our “sharing” becomes mandatory is it not reasonable to conclude that Facebook in and of itself becomes not part of a select few, but a totalitarian control mechanism for our personal information? Given, of course, that we choose to “share” in the first place.
Regardless of what I think about things like Facebook and its cousin, Twitter, the fact is that they have inveigled their way into our lives so thoroughly that we hardly notice how slavish our “social” networking behaviours have become. How many times have you found yourself in a truly social situation (i.e. amongst non-virtual people) and experienced a deafening silence as the majority of your “companions” ignore those present in favour of talking to their “friends” via their smart phone and android devices?
A term has been coined for these rude and irritating folk … “Phonies”.
Another worrisome aspect of these virtual entities, for me at least, is the influence they have on more orthodox media – those that supposedly parade under the banner of “journalism”. There is nary – and this is scary – a news outlet that does not “interact” with its viewers, listeners, readers via Facebook and Twitter. The news cycle and news gathering is being driven more and more by those who are not trained in journalistic practices of accuracy, balance, ethical reportage, and truth-seeking.
Not to mention the massive amount of free advertising the news media give to these ultimately commercial organisations. A very clever trick indeed!
Yes, I do understand that I am guilty of the same thing by the very fact of writing this. Shame on me.
The hell with it; if I’m going to fess up to Facebook, I’m also going to admit that I – in a prolonged moment of consumer envy – bought myself a tablet device (the most popular one) … that I love very much and really, really recommend, so go out and get one. Mortgage your granny’s house if you must. Everyone needs one of these things. They’re great! They do stuff!
Of course, if a younger person looked at my “apps” (sounds so hip doesn’t it?) s/he would immediately write me off as somewhat boring (guilty) and overly concerned with offerings by the world’s printed media, and music from a bygone era.
My response would be: “Watch it short-arse, I’m bigger than you … and, in case you didn’t pick up on it, I’ve got Larry the Talking Bird on there as well!”
The young can be so unkind.
I am beginning to have serious doubts about myself (I’m not alone, I’m sure) as I approach this sentence because I have never had any kind of attachment to any device. Laptops and desktops have always been merely handy tools of the trade. Over the years I have tried to surf the internet for fun but have run out of ideas on what to look for almost immediately. I have never played a video game since dad brought “Pong” home one day all those years ago. Things are different now baby! My tablet has an app called Zite – which creates a tailored online magazine according to my areas of interest. Brilliant … except for the politics section which is America-centric and reminds me every day that no legislation has been passed to commit Republican legislators to lunatic asylums … or to try them for the treason of nearly bringing their nation to its debt-ridden knees …
“… no, Newt, or Mitt, or whoever you are, it wasn’t Obama who racked up the debt, it was your mate George. So get back in your delusional boxes – better yet, introduce yourselves to the inner workings of the Large Hadron Collider and have a quantum day.”
Otherwise, though, Zite is a wee ripper.
Larry the Talking Bird is excellent, of course.
E-books!
Since the advent of airline baggage restrictions that encourage us to take ever-decreasing sets of underwear abroad, sticking a book or three in your bag has become a financial drag. Ta-da! I’ve got 500 books on my tablet.
And I feel like a complete sell-out. A louse.
I love books – real books that you can hold, that you can smell, that you can laugh and cry over, that you can pass on in the knowledge that a great gift has passed from your self to another. That grand adventures into the landscape of the imagination have changed hands and entered lives.
Adele Horin writes about her affair with a tablet device in Australia’s National Times: “It’s easy to turn the Kindle on. But I have found the Kindle doesn’t turn me on. The thrill is gone: the thrill of anticipation as I toy with a printed book, turn the first page to read the author’s dedication or bits of poetry; the list of his/her other books, the reprints from reviews; and then the flip to the back page to ponder the author’s photo, and skim the acknowledgments.
All these preliminaries, a kind of foreplay to the act of reading itself, just aren’t the same with a Kindle.”
They’re not the same with my tablet either, no matter how much trouble the makers have gone through to make the virtual page-turn seem like the real thing.
With slumped shoulders and bowed head I have to agree with Adele when she says: “In my campaign to convert the world into book-lovers, I shall continue to buy books for people who don’t read much. This next book for me, though – the one I’ll take to the beach shack for my week’s traditional summer read-in – must be my last.
I want to feel the thrill one last time. But sense has won out over sensibility.”
Video might have killed the radio star but IT and our unrelenting drive towards larger and larger things being packaged into smaller and smaller things has led to the virtual extinction of music on vinyl and will, probably, lead to the extinction of the printing press as surely as we have witnessed the demise of film processing and the Kodak company.
RIP. I, for one, shall miss you all.
Apart from the obvious utilitarian benefits of an ever-growing range of tablet devices, and what were once referred to as telephones, a whole new industry that manufactures add-on products has sprung up.
There are covers and cases; clip-on lenses for smart phone cameras; but I think my favourite is a thing called Comfe Hands which is hyped thus:
“The Comfe Hands was created specifically for people who have a tendency to use their (tablets) for hours and hours. It features a pair of ergonomically designed grips that easily slip around the edges of the tablet. The surface has been specially engineered to keep the device from slipping out of the hands of its user. The material responds well to physical touch and will provide comfort to the user. The product also doubles as an incline stand for those who want to set the (tablet) down on a surface.”
Handy.
A friend said to me the other day: “You can take my car, you can take my business, you can take my wife … but don’t take my (tablet name deleted).”
I thought about the offer on his wife for a moment …
Albert Einstein said: “The distinction between the past, present and future is only a stubbornly persistent illusion.”
I agree.
But there is a danger in illusional friendship – it can quickly become delusional.
Our reverential devotion to our devices has displaced to a degree our existential capacities to congregate and commune … to talk together without resorting to electronic props and paraphernalia. Our commitment to connectivity is mirrored in our discursive disconnect.
The most important word in the phrase that leads this piece is “imagination”. Our connection to our lives and loves, to our desires, devotions and directional decision-making resides there.
As Emily Dickinson wrote: “The Possible’s slow fuse is lit
by the Imagination.”
If we surrender our imaginations to the machinations of the virtual spaces created and re-created by the imagineers who inhabit the electronic highways and byways of IT corporations, it is we who become the androids, not the devices we collect and covet.

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Who Dares Wins

Who Dares Wins

Inspired son of the surf industry Dare Jennings – founder of Mambo and Deus Ex Machina – talks to Drew Corridore about counter-culture, Japan and custom motorbikes.


Deus Ex Machina in Canggu isn’t just a place where you can eat some great food, shop for clothing, surfboards and custom motorbikes … it’s a vibe.
There are art spaces, a photography studio, grassy gardens for leisurely gatherings. You can even get a free tattoo by turning up in the late afternoon and putting your name on a chalkboard list.
The man behind the idea that is Deus Ex Machina is Australian Dare Jennings – a Sydney-sider who also founded the Mambo surf wear company, as he puts it, “in another lifetime” (1984).
Dare describes himself as an old lefty from his university days. Days when the Vietnam War was in full flight and the protest movement in Australia was at its height. He brought his rage with him when he decided to form Mambo.
“I really hated the way that surf was sold as a fundamentalist religion,” he says.
“That if you weren’t in you were out.
“And I didn’t want to be part of ‘big surf’ – Billabong, Rip Curl, Quiksilver – but because we were part of the surf industry, what I wanted to be was the choice … the alternative.
“Mambo was pretty much that: we loved to surf, we were satirical, we took the piss out of things, we loved artwork and other things just as much … at the time it was pretty radical, but not so much these days.
“We used to call ourselves the bastard sons of the surf industry.”
A maverick by nature, Dare says he just liked to do the opposite in things that were declared as givens by those who claimed to know “the way”. In his 20s he got off on surfing, on riding motorbikes and bicycles, of living the adventure to its fullest.
“In the ‘70s if you surfed you also had a motorbike – you did that because both things were a thrill and you pursued them as thrills,” he says.
“In those days one of my great heroes was Herbie Jefferson who was a bit older than us and an Australian speedway champion and noted big-wave surfer. He was always out there when the big ‘bombies’ were breaking off Newcastle.”
Dare says that Herbie’s attitude was: “Fuck it, I’m going to do everything that’s fun, do it all, I’m going to chase it and enjoy myself”.
“Herbie used to say ‘it’s all the same juice’, ” Dare says.
He sold Mambo in 2000 and “wandered around a bit”.
“But I had it in my head that I could start another company that combined all of the things I’ve talked about – where all these things could happily coexist,” he says.
“I’d spent time in Tokyo where there were a lot of young guys referencing vintage motorbikes but in a contemporary way. That really interested me. Sociologically speaking there was a turn away from technology, or cutting-edge, or this year’s model.
“And suddenly people were going back to building stuff and making things.”
Dare took the idea back to Sydney and started building bikes in a similar vein … Deus Ex Machina was born.
“Because I figured there was nothing sadder than a bunch of old baby boomers hanging around together reminiscing,” he says.
“We came up with the name (God is in the machine), which is a bit of a pretentious name for building motorbikes, but it expresses the idea of having respect for the machine and respect for the activities that the machine is part of.”
But he didn’t want the new company to just be a motorbike customising place. Dare says he believes the sum of different parts is always more interesting and, once again, moved away from more orthodox motorbike-building business models such as the ones that can be seen on American reality TV shows.
“So we started to build bicycles and started to add surf into the mix,” he says.
“People said ‘you’re mad!’ – you can’t have motorbikes and bicycles in the same shop. And surf boards!
“I said I ride motorbikes and bicycles, I surf … it’s my shop, I can do what I want.
“But,” he says, “if you do it seriously and it’s not just an affectation, and do it well, and you learn about things … that’s what it’s all about.”
The first multi-various Deus Ex Machina outlet opened up in Camperdown, Sydney.
“We call it The House of Simple Pleasures.”
The Deus venue in Canggu is called The Temple of Enthusiasm.
“In this day and age just having a shop is pretty dull,” Dare says.
“You’ve got to make a place that’s interesting and entertaining – that’s worth making the effort to visit. So here (Canggu) people can come and have something to eat, see stuff, there are things going on, people revving motorbikes and getting excited about surfboards …”
Deus isn’t stopping here and recently opened another venue on Venice Beach in California.
“Sydney, for instance, is different to this – which is the Indonesian expression of what we’re all about – and the Venice Beach venue will be different again,” Dare says.
Variety is, after all, the spice of life … sambal, perhaps, in the case of Bali.
“Ideas, though, are universal,” says Dare.

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Fede

Fede

Federico Tomasi has the heart and soul of an artist compelled by the beautiful process of expression.


Federico, Tomasi, paint the picture.
Born in Stockholm, age 37, lived in Sweden until I was 13 years old. My parents moved to Italy and that’s where I grew up, basically. I studied at the Institute of Art in Riccone, Italy, for five years.
On first meeting we guess most people think you’re Italian – your mannerisms, accent, speech?
Yeah, I feel more Italian than anything else.
Did you ever pick up a brush before going to art school?
No, it was probably my father, Mauro’s, influence. When he was 35 and I was five or six he was doing cinematography and he introduced me to that world: taking me here and there, introducing me to the art world – a very creative environment. I always had room to create, which my father always encouraged, so when it came time to make a decision – university or not – I chose art school, although I never thought about becoming an artist. I always admired artists but I thought they were in a dimension that I really couldn’t understand. After five years of art school I thought fashion would be my future … living in Italy, there was a lot of influence in that direction, lots of work, and lots of opportunities. I realised that wasn’t something I wanted to do. After that I did ordinary jobs for a couple of years, as a bartender, etcetera. That was around the age of 26. I came to Asia in 1996 on holidays for a month: Bangkok, Singapore, Malaysia, then Bali for a week. Coming back from Bali something happened to me.

Here we go, you got the Bali bite?
Yeah, let’s say the Bali bite. I got this beautiful energy from Bali, the people – I saw this proudness in their souls, the way they lived. Even though there wasn’t much of a materialist world (nothing like where I came from) I started to have something I wanted to express and I had the capacity to paint, so there was my tool. I lost my fear of expressing myself. Artists are very passionate and intimate, and putting it out in public is hard sometimes.
Sure, it’s your baby.
Opening yourself up, and then you have critics – people like or don’t like it and you have to face that and Bali gave me that power. I had to go back to Italy because I had army problems, but I was sure I wanted to move and live here. Also my father was living here for six years.
Up until that time, did you sell any of your paintings?
No. It all started in Singapore, my first show was in a restaurant, that was in 1998. After a year exhibiting I got a phone call from London from The Fine Art Gallery – they loved my work, came to my studio in Singapore and offered me a contract. I signed, the prices went up and that gave me the freedom to live where I wanted to live . . . two-and-a-half years in Singapore, but for years Bali was always on my mind. I really didn’t know what to do in Singapore, I was not a painter then in my mind, so I moved to Bali in 1999.
Since then where have your works been shown?
A little bit everywhere: my agent, who I’m still with from the London gallery, pretty much takes care of everything. I have started to collaborate with galleries in Milan and shows in New York.
strong>How would you define your art?
I think it’s very difficult to define any kind of art, but when people ask me, I say contemporary. I’ve been painting only faces and bodies for 12 years, still doing it, so maybe a portrait artist?
I would say more avant-garde?
Well it could be described as action painting; there is inspiration from (Jackson) Pollock a little bit, with a technique of letting go while maintaining total control.
Oddly enough for someone who was so influenced by Bali, nothing in your work represents Bali?
During the first year here the culture inspired me directly – the ceremonies, the strong spiritual aspect; I kind of lost it, though. It doesn’t have to be connected to the subject. I can paint something where the inspiration is there, for example, thinking about the love I have towards my son. That doesn’t mean I have to paint the face of my son. I’m doing a completely other thing, but the spirit is inside. The process of work contains a lot of elements.

You’re going abroad shortly, are you doing anything there with your art?
I received an e-mail from this gallery in Chelsea in New York City – I don’t want to say the name because I haven’t signed the contract – and they want to represent me. Actually I had a show in New York in 2002, then something went wrong. I fell into a very deep depression for a year.
The artist’s dilemma of not living up to expectations: confusion, insecurity, the whole mess?
Yes, I gave up Singapore, I gave up with everybody, gave up painting, then my son was born two days before the Bali bombing of October 12th, 2002. The day after he was born, I woke up to visions of 30 paintings I wanted to do.
Do you see yourself heading in a certain direction as an artist?
Goals, no. I had it, maybe a couple of years ago but now I think art has to be very honest in one way, there’s so much speculation around, so much in the art business that doesn’t have a connection with an artist. Strange, I’m an artist and must make a living, but I feel like I don’t fit in the art scene.
There’s no true artist that doesn’t feel that way – you’re not alone: you are a reporter of life and so you’re subjected to its anxieties on a deeper scale.
I know, you do it because it’s instinct. It’s not about selling, but nowadays if you want to be a successful artist you have to take into consideration those elements, which means, don’t show your art there, because if you do you’re going to burn yourself; be careful, just show in the good galleries, don’t do this, don’t do that. I don’t sit down and start a painting thinking about this.
Advice?
Never sell your soul, just do it, doesn’t matter afterwards. If I don’t create for a month, there’s emptiness in my life. This year I discovered that once I finished a painting and put it on the wall, I felt death.
Let’s end this interview with the many faces on paper looking up, an inside perspective?
Well, it’s been four months I’ve been working on papers, hundreds of them. For some reason I see a spiritual connection without asking the reason why, one day I woke up remembering reading the Puputan mass suicide of the royal families of 1906 in front of the Dutch.
So here we are with your philosophy of painting, variations of necks and heads looking up?
Unconsciously I have this work on silver and gold paper, each of those, which I wanted to do a thousand of them. The Balinese didn’t have guns, so they threw coins and jewellery. So there’s the connection of silver and gold paper, but I cannot sell this work that has feelings inspired by a mass suicide – bad karma for me. So I’ll do this show and have a big cremation of my work. This connects the fact of what really matters to me – it’s already been done, finished, disappear, it really doesn’t matter. I work on the floor, so I really don’t have a perspective, a chance to see the paintings properly in the process. The emotion I had while I was doing it disappears. I can’t go back. I want to start another one, get back to that state of mind when I paint, that’s what matters to me. S.B.
www.federicotomasi.com

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Rum Diaries

Rum Diaries

Credits:
1: MinkPink dress @ Bamboo Blonde. KT Necklace @ Horn Emporium
2: Shirt @ Milo’s. Sacred Mexican Heart @ Horn Emporium. Pardon Me ring @ Platform 18/27
3: Mesh Top @ Milo. Marjan Pejoski high-waisted bottoms @ Horn Emporium. Nipples Revolt ring and earrings @ www.nipplesrevolt.com
4: Tube panel skirt @ Bamboo Blonde. MinkPink Poka Singlet @ Bamboo Blonde. Pardon Me ring @ Platform 18/27. Gold Chain cuff @ Bamboo Blonde. Lasskaa City Streets platform heel @ ThisIsALoveSong
5: Kimono – Stylist’s own. MinkPink top @ Bamboo Blonde. Shorts @ ThisIsALoveSong. Cross pendant @ Horn Emporium. Briarna wedge @ Bamboo Blonde.
6: MyPetSquare dress @ ThisIsALoveSong. NipplesRevolt bracelet @ www.nipplesrevolt.com. Ring @ ThisIsALoveSong. PardonMe ring @ Platform 18/27. Lasskaa blue jean boot @ ThisIsALoveSong.
7: Marjan Pejoski singlet @ Horn Emporium. Bikini set @ Body & Soul. NipplesRevolt earrings @ www.nipplesrevolt.com. Abirato clutch @ Horn Emporium.
8: MyPetSquare pants @ ThisIsALoveSong. Spot singlet @ Bamboo Blonde. Polka dot sunglasses @ Bamboo Blonde. NipplesRevolt necklace @ www.nipplesrevolt.com. Gold chain cuff @ Bamboo Blonde. Shell Bracelets cuff @ Indigo & Rose.

Photographer: D.Hump
Stylist: Georgia Amanda Solomon
Hair and Makeup: Anja Burck
Model: Claudia/So Wanted

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On Location

On Location

Behind the scenes with photographer Dustin Humphrey as he shoots the latest Yak fashion spreads.

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One at a time

One at a time

How to make the world a better place? Simple, says midwife Robin Lim. Provide gentle hands at birth from a midwife and mother figure. Michael Andrews experiences the energy of a woman with a calling to accomplish “some small thing, every single day” – and a quest to infuse our first moments of life with maternal love. Photos by Damon von Lawner.


I’M sitting in the open foyer at the Bumi Sehat Clinic in Ubud and Robin Lim has just burst out of her office en route to one of the delivery rooms. I’m immediately struck by her piercing black eyes and her long dark hair – along with a demeanor that is positively ebullient. There is something fresh and crisp radiating from this midwife of 18 years, who is also a mother of eight and grandmother of two. Previously anticipating a brush with a soft-spoken New Age type – more typical of Bali’s Western caregivers – I was caught off-guard by a directness that wouldn’t be out of step in Robin’s native city, New York.
I had been waiting for an hour and our interview had yet to begin. Instead, I had been caught between a seemingly endless queue of expectant mothers awaiting check-ups and a couple who circled the waiting room joyously holding their newborn child. With a curtness bordering the fine line between playful sarcasm and brusque honesty, Robin Lim spoke her first words to me. “You’re still on hold,” she said. “Mothers before journalists.” She turned for the door, stopped quickly to introduce herself and explained the delay – a baby was about to be born.
As a single man in his mid-thirties who had just spent an hour in the maternal atmosphere of a birthing clinic, I felt the need for a breather. I started up from the couch, asking Robin if an hour would suffice. She shot back: “Why not stay right here and feel and experience the energy of this birth?” The invitation stopped me in my tracks…the energy of a birth? Makes sense, I thought – it’s a tiny three or four kg explosion of new life on the planet, someone who could turn out to be a future President of the United States or perhaps, more poignantly, a beloved and loving grandfather. ‘Birth energy’ was a completely alien idea to me, and the first of many new concepts that I was to encounter through this extraordinary woman. It would also be the first time the word ‘placenta’ crossed my lips, and after studying it, I discovered that the term is strikingly appropriate – from the Latin, meaning cake.
Robin ducked into the delivery room to join two Balinese midwives, Ibu Agung Mas and Ibu Dewa, who would be ‘catching the baby’. Due to Indonesia’s strict foreign employment standards (which protect the jobs of the indigenous population) a Westerner is not permitted to do the actual work here. Robin’s focus is primarily to manage and run the clinic, to teach, and to facilitate. She considers herself the “protective mother and adviser to the Bumi Sehat Medical Team”.

At 53 years old, and with about as varied an ethnic background as one can have, Robin is a mixture of East and West, Old and New World. Her father was part German, Irish and Native American and her mother was Filipino-Chinese. Aside from her roles of midwife, mother and grandmother, she’s also a published author and poet, an environmentalist and a humanitarian who was recognized with the Arthur Lange Humanitarian Award in 2006. Operating three clinics – one in Aceh in the northwest tip of Sumatra, one in Haiti, and her centre in Nyuh Kuning village (next to Ubud), which is also a short 30-second walk from her home. The clinic here is named Bumi Sehat, which is Indonesian for “Healthy World”.
The clinic, which employs 30 Indonesian workers, (nine of whom are midwives) and engages many international volunteers, facilitates an average of almost two births per day, nearly 600 each year. It also provides prenatal clinics, pediatric baby clinics as well as treatments in acupuncture and the energy work of Reiki. It’s a place where all are welcome. Musician Michael Franti can be found hanging out here on his trips to Bali. Franti is a big supporter of Robin’s, devoting not only his money and his music towards the cause, but also his time.
Indonesian rock star Oppie Andaresta caused a commotion when she had her baby boy delivered here, with the clinic besieged by teenaged girls. In a move that surprised even Robin, Oppie welcomed her fans to pop their heads into the birthing room within an hour after childbirth to show them all that she was breast-feeding. Elizabeth Gilbert, author of the bestselling novel Eat, Pray, Love has a special section on her website about the clinic, calling it “a special haven…that operates on a shoestring budget” where “Balinese Muslim women (a not-always-embraced minority) are sure to always be treated with respect and kindness.” She wonders whether or not Robin ever sleeps and requests of anyone planning a trip to Bali to drop off an extra suitcase of blankets or toothbrushes if they aren’t able to make a monetary donation.
Robin and a team of midwives founded the clinics in Aceh and Haiti as a direct humanitarian response to the international emergencies that occurred following the 2004 earthquake in the Indian Ocean (and subsequent tsunami) and the 2009 earthquake in Haiti. Once the initial media buzz of these events had died down and most of the NGOs had packed up their respective operations, these clinics found themselves scrambling for money to fund ongoing operations – so far, they have been able to continue running them on a shoestring budget. Franti and Gilbert aside, the core of their funding comes from regular people making consistent, but very small contributions.

Robin was a ground-zero witness to the horrible aftermath of the 2004 tsunami in Aceh where, in the span of an hour, 250,000 people perished and half a million lost their homes, businesses and livelihoods. Likewise, she just spent a month in earthquake-ravaged Haiti, and will return there again in September. The horrifying memories of these catastrophes and their respective aftermaths remain so deeply ingrained that they still cause her – and her tough-as-nails persona – to weep uncontrollably. To get through such difficult and inherently emotional situations, Robin focuses strictly on her work and her lifelong devotion – to make the world a better place, one birth at a time. Her de facto motto is to accomplish “some small thing, every single day”, she says. “If we look at the big picture, we can be paralyzed, so I focus on the potential for peace right in front of me at the very moment.”
In Robin’s view, human nativity – especially those occurring in particularly traumatic or stressful deliveries – have the potential for long-lasting negative consequences. On a personal level, she believes that these nascent experiences, though largely unremembered, can have a lifelong impact on how each of our earthly existences plays out. On a macro level, Robin feels that numerous traumatic births have the ability to negatively influence societies for generations.
As with other Balinese midwives, Robin is known simply as Ibu, meaning mother. She feels that the precious first moments of birth represent every new soul’s introduction into the world as the single most important place to begin to make it a better place. If we get this right from the get-go, she believes, future citizens on this planet might have a chance to foster healthy loving relations with each other and to experience such oft-repeated catch phrases as “world peace” and “respect for humanity and the environment”. As the hackneyed expressions of Dale Carnegie tomes and dandruff shampoo commercials go: “We never get a second chance to make a first impression.” This phrase is particularly relevant to Robin’s embrace of her perceived meet-and-greet role as earthly stewardess, believing that each incoming new human being should be welcomed likewise by a midwife trained in the art of compassion and care, instead of isolation and trauma, which can be symptomatic of hospital births.
Of course, fine restaurants employing impeccably trained maitre d’s, department stores filling entrances with perfume offerings, and any company rolling out a new product with an expensive marketing campaign can embrace the value of a good “lead-in”. It’s no small wonder as to why our newest members to the planet – our youngest consumers, customers, and future scientists, lawyers, inventors and financiers, not to mention mothers and fathers – are not treated with the same warm-and-fuzzy welcomes as those epitomized in Western society by the likes of Super Bowl commercials or costume-clad Disneyland greeters. Young minds have always been known as impressionable, and our minds are never younger or more impressionable than the moment we’re born.
Some members of the Western medical community would disagree. The idea that a traumatic or overtly clinical birth could foster long-standing personality problems has not yet hit their radar screens, and it’s unlikely to do so anytime soon. In the US, the focus is on the logistics of a successful delivery, with institutions like the American Medical Association and the American College of Obstetricians and Gynecologists remaining steadfast in their assertions that obstetricians provide better maternal and infant healthcare than midwives. Hospitals often complain that practicing midwives operate in a grey area – mostly unregulated and with lack of oversight from a governing body. They feel they’re also an open target of midwives who speak out against their perceived injustices, yet they are still there for midwives to fall back on during emergency situations – where problematic births may threaten the lives of mother and/or infant. A hospital will never refuse a person in a critical condition.

Backlash against midwifery is nothing new and has its roots in a 1484 document by Pope Innocent VII, with the claim: “Midwives cause the greatest damage (of all witchcraft).” By the 19th century, the medical community commonly regarded the practice as “a relic of barbarism”, as a medical journal of the time referred to it. Today, such negative perception is much less common in Europe, where 70 percent of babies (whether in hospital or home) are born in the presence of a midwife, as compared to seven percent in the United States.
One of the handful of voices that have been pushing for more research, studies and scientific insight into the matter is Obstetrician and Gynecologist Dr. Michel Odent. He’s been doing extensive research into the studies on the physiology of birth and the effects of the hormone Oxytocin, which he refers to as the “love hormone”. Having supervised over 15,000 births since 1953, the 80-year-old Dr. Odent is still looking youthful and spry, as his recently posted YouTube videos and our spirited e-mail correspondence would attest. As a surgeon in Paris during the ’50s, he began to witness hospital birthing procedures first-hand. By the ’70s, Dr. Odent began to push for more home-style hospital birth rooms and was the first to publish in medical journals an avocation of the advantages of birthing pools and the benefits of breastfeeding in the first hour following childbirth. Since then, Odent has published 12 books on a diverse amount of topics regarding birth and newborns.
Dr. Odent is “convinced that those first moments after childhood, which can never occur again, are critical to mother-child bonding”. Feelings of love (factoring prominently in the mother-child connection) “are particularly strong immediately after birth”. This is the instant, he says, “when a woman is supposed to reach the highest levels of Oxytocin that she will ever experience”.
Oxytocin, part of what Odent also refers to as “the cocktail of love hormones”, is not only critical to initial human bonding, but essential for contractions of the uterus; making for easier delivery and subsequent smooth release of the placenta. Adrenaline, which appears in the presence of perceived danger, begins to enter our bloodstream even when we are aware that we are being observed. Adrenaline also acts as the main inhibitor of Oxytocin. “An inappropriate birth environment and a talkative birth attendant can increase the chance of a laboring woman seizing and panicking, which can result in unnecessary intervention,” cautions Odent. While the secretion of adrenal glands can lead to disruptions for humans mothers, it serves a useful purpose in the wild. A mammal about to give birth in a situation of danger benefits greatly from adrenaline to freeze the birthing process and to provide the necessary energy for fight or flight until the mother can secure a safe place to continue with the birth.
The more disruptive the environment, the greater the possibility of pretension – which leads to the increased likelihood of difficult births. Sports psychologists are incredibly valued for their ability to get ballplayers ‘in the zone’ – which, for the layperson, means to stop thinking and become naturally in tune with what is happening. Dr. Odent explains that this activity in the Neo-Cortex part of our brain is particularly relevant in women giving birth (and athletes trying to hit a curveball, for that matter). When intellectually stimulated with direct questions and heady talk, it becomes harder for women to achieve a smooth delivery.

Dr. Odent reports that “interruptions in the birthing process have led to more interventions” such as C-sections, and through this process something very valuable can be lost. For example, with monkeys that give birth by C-section, there is no acknowledgement by the mother of the baby – for the baby to survive it must then be raised by humans. In a University of California study of 4,269 male subjects born in the same Danish hospital, it was found that the main risk factor for being a violent criminal by the age of 18 was “the association of birth complications, together with early birth separation from or rejection by the mother”. Similar empirical studies have linked birth interventions and complications to autism, asthma and anorexia.
Dr. Odent observes that “societies have dramatically disturbed the birth process for thousands of years” – which, he believes, has fostered aggression among certain civilizations and enabled them to dominate nature and other human groups. It seems to be a self-replicating cycle – hostile, successful societies fostering truculent births that produce aggressive humans.
To counteract this, he urges the promotion of a protective mother figure – a strong female guardian knowledgeable about the natural processes to defend the space that the fetus needs to indicate when it is ready to be born, instead of it being over-ridden and ejected in the spirit of efficiency. Science can now show that even in the last few days of a fetus in a womb, finishing touches can be put on the baby’s growth that may not later occur. Although it’s a widely accepted practice in corporate farming, let’s say, to pick bananas at bitter green and let them ripen on the shelf, it may not work for humans. A baby’s lungs, heart and brain are much more time sensitive in maturation – making the birthing process, and the baby’s own indication of readiness, more critical to human potential than originally speculated.
Dr. Odent’s conclusion is simple. “The best environment for an easy and fast birth is when there is nobody around the laboring woman, apart for an experienced and silent midwife who is perceived as a mother figure.” That role of the protective mother is the role that Robin Lim and her staff take seriously with each incoming pregnant woman. “Robin is a legend,” is how Dr. Odent concluded our email correspondence, stating that one of his projects “is to visit Robin one day in Bali, on her own territory, instead of always meeting her at conferences”.
Ibu Robin’s work in striving to foster the healthiest and most psychologically sound babies has meant that she’s had to butt up against countless issues and controversies on increasingly varied fronts. One of these has been the influence of corporations on the food supply and what she says has led to “full belly poverty”. In Third World nations, she says, one of the most dangerous threats to pregnant mothers has been the replacement of traditional rice varieties grown for thousands of years with variety IR-8 and later IR-36, also called Miracle Rice.

It’s a simple case of quantity over quality. IR-36 and similar strains, which are staples here in Indonesia, have little value other than as empty carbohydrates, and their production also requires a greater use of fertilizer and pesticides. The commercial benefits are obvious – two harvests a year from the same land as opposed to the traditional one, with much higher yields per harvest – and the surprise addition that it can be stored forever without danger of being eaten by rats. The rats seem to be unable to recognize it as food, and have been found, when desperate, to eat the paper containers but leave the miracle rice untouched. What it means for regular people when ingesting this essentially nutritionless food is a sugar spike in insulin levels which can lead to stored fat and eventually a risk for Type-2 diabetes. What it translates to for mothers-to-be, whose diets consist mainly of this rice without many proteins and greens, is a high risk of hemorrhaging after childbirth. It hasn’t been lung cancer, nor heart disease, nor automobile accidents or even terrorist attacks that rank the number one leading cause of death for Indonesian woman in recent years – it’s been bleeding to death after childbirth.
Another obstacle to Robin’s work in creating healthy babies has been the medical community’s promotion of infant formula feeding over breast-feeding. “Even malnourished mothers can produce enough quality breast milk to feed their babies well,” Robin says, and she has seen it firsthand. The World Health Organization recommends that babies survive solely on breast milk for the first six months after birth. She notes the societal and environmental advantages to breast milk over formula – namely, the packaging, shipping and cleanup of hundreds of millions of empty formula tin cans. However, there is one huge over-riding problem surrounding breast milk which she says can’t be resolved for companies – “there’s no money to be made on it”.
Breast-feeding is a practice that has continued to decline in Third World countries, for various reasons. Insecurity has been a major problem for doctors in developing countries who have been schooled by Western methods. It’s made them more susceptible to authority figures, some maintain, including corporations pushing the powered milk. In Indonesia, Robin tells me that a child is “300 times more likely to die within the first year if it does not feed from mother’s milk”. It’s something that’s going to take a lot of courage from doctors here if they are to learn to trust their own instincts again after their Western education and not, as the saying goes, “throw the baby out with the bathwater”.
Robin trusts her own instincts. For her, the natural arts are “a waiting game” – of assisting nature and knowing exactly when to intervene, never forgetting that “nature is calling the shots”. She also seems to use her motherly instincts to keep her staff incredibly happy and well-motivated. Robin’s charismatic nature and her willingness to lead by example impel her staff to work hard in this endless campaign of assisting new life into this world. Jacinta Knell, a volunteer from Australia, told me: “Robin is quite inspiring and is able to draw people in – an amazing gift.” She seems to possess a great sense of humor as well. Jacinta and Robin’s valued assistant, Ayu, recounted a time when they were threading beads to make a necklace as a gift for a new mother on their staff, but were having great difficultly in securing the thick string through the tiny bead holes. Robin came across their missteps and remarked with a sly smile: “You girls are very good at helping to take things out, but not very good at putting things back in.”

Ayu, who loves working at the clinic, admires Robin “for her big heart”. In speaking with others in and around Ubud, it is obvious that Robin is viewed as larger than life. “She’s one of those saintly figures,” confides a longtime Bali resident who wished to be unnamed, he said, because of Robin’s “Mother Teresa-like reputation”. Like the documentary based on her work, Guerilla Midwife, there is a side to her, he went on, that can be quite graphic and provocative in person, and this can come across as off-putting in a way that borders on “self-righteousness…to get others to fervently join their cause”. (The film, which was presented at the Cannes Independent Film Festival, is itself quite explicit and shocking for the uninitiated – including as it does scenes of babies’ heads popping out of vaginas with repeated references to miracle rice and breast-feeding.) He recounted a story of a party at which the film was premiered in Bali. It began, he said, “with a neo-hippie chick citing New Age babble and singing Joni Mitchell-like laments of injustice in the universe,” the audience being told that Robin would be late because of a last-minute delivery. When Robin did finally appear looking “weary”, he reported her as saying: “I wanted to take a shower before I came but was forced to rush here with my clothes soaked with amniotic fluid and blood because I just delivered my third baby today.” Although stating that he has “great empathy for her work and her sacrifice”, her speech, which this Bali resident likened to mirroring the film itself, was in his opinion “designed to instill feelings of guilt”.
For someone with such as strong personality as Robin’s, battling desperately to find operating budgets for her clinics for disadvantaged people, it’s understandable that she is going to get in some people’s faces in her attempt to wake people up to her realities. Far more difficult than delivering healthy babies, Robin tells me, is another part of her work. “The hardest challenge is fundraising,” she says. Whereas I personally know friends in North America who think nothing of spending two thousand dollars to have plastic testicles placed in their neutered dog, citing reasons of giving their male pet more confidence after its sexual organ removal, I don’t know too many people who are actively looking to support a midwife clinic in Indonesia. It’s a struggle she deals with daily.
For Robin, this calling had its beginnings in her “first sex education class in high school at 14 years old,” she says. “I got very excited about sexual reproduction, and I still am! Just think about it – we make babies from scratch, with a little love and some lust and a miracle, an entire human being gets born. It’s ancient and it works so well. And it’s not just human births that hold her fascination. She recalled to me how, on a trip to Maui, she “witnessed humpback whales giving birth. The mother would come to a protected cove with an elder female whale – a leviathan midwife!” Through this experience she came to believe that humans are not the only mammals who have midwives. “Female monkeys also know that they must get far away from male monkeys when they give birth, so that the birth will not be disturbed.”
As I continued to sit outside the birthing room at Bumi Sehat, I began to hear grunts and moans coming from inside. The door then gently opened and closed. It was Devin Bramhall, an American volunteer. She had stepped out of the room due to a spell of light-headedness and explained that this was only the second birth she had witnessed.

At 27 years old, Devin decided to leave her job in Boston working at an Internet start-up, put all her belongings into storage and come to Bali as the assistant volunteer coordinator. With the encouragement of her mother, a midwife who has worked with the clinic for four years helping to run the volunteer program and co-found the newest clinic in Haiti, Devin prepared for many things, but had never suspected she’d end up this close to the process. “A big part of Robin’s gift,” she says, is “to encourage those around her to open their minds up to new experiences.” In her first birth, Robin had instructed Devin to gently stroke the mother, using the soothing qualities of human touch to help the woman to relax. This birth also marked Devin’s so-called “baptism” – a sudden projectile of amniotic fluid from the mother splattered across the room and onto her legs and feet. Her biggest surprise with it was “that it didn’t gross me out”. Rather, she explained, it just felt like a normal part of the life process.
There was something else that had caught Devin by surprise during that first birth – just how little machinery was used to bring the baby into the world. “The woman lay on a bed completely void of equipment, surrounded by her husband, three midwives, me and some rags to clean up her fluids. Even after the birth, there were remarkably few tools required to complete the process: a metal basin for the placenta, scissors, stitches and one needle’s worth of medicine administered before the stitches.”
Devin admitted to me that today’s birth was much more intense than the first one she had attended, calling the energy in the room “thick and stifling”, which had apparently served to push Devin out the door, but not yet the baby out of the womb. She took some deep breaths and then went back in. Sitting on the couch for what seemed to me only a very short period of time, I heard a quiet cry – a small confirmation that the earth’s population of roughly 6.8 billion had been increased by one. It’s another baby that Robin says she might “recognize years later”. She confided in me that sometimes she’ll walk down the street and, even though she hasn’t been with the child since the day they were born, and now they may even be 16 years old, she can still recognize their face, which she says, “doesn’t change”.
A few minutes after the cry, Robin emerged from the room smiling. She appeared much more relaxed. It was evident to me that her tough facade which I had glimpsed earlier was a barrier that she called upon to protect the sacred space that mothers need in achieving an easy birth. It’s a measured mix of strength and tenderness that I suspect must come with the territory of supporting thousands of mothers over the years. In fact she’s seen so many thousands of births that she wouldn’t even give me a number, saying that, if she did, it would appear “as if she was lying”.

While Robin washed up, she asked me to poke my head into the next room over and say hello to the couple I had seen earlier circling with their baby in their arms. This woman appeared so incredibly fresh and bright that my initial thought was that she must have given birth a few days prior. Robin told me it had happened only in the afternoon of the previous day. Not quite believing this, I had to confirm for myself – the couple smiled and said it was true. My other experiences with new mothers had taken place in hospitals where visiting friends’ wives had given birth the previous day. I recall seeing those women looking exhausted, worn-out, and then being told that they would be kept in the hospital for several more nights. This beaming Balinese woman who sat in front of me instead looked as though she had just come back from a week lounging in Bora Bora. Could this be the aftermath of her experiencing a natural Oxytocin high, unimpeded by an epidural or other injections?
“When one has Oxytocin-rich experiences, our perception of the world changes,” Robin tells me. “The trees appear greener, we can really hear the birds singing, food tastes more delicious. This is the platform for jumping into gratitude.” There are also other ways than giving birth to get this type of blast, she says. “A heart-to-heart talk with another person or a good hug, or making love, or sharing a meal with a friend, or just smelling a flower.” All of which, according to her, builds more love hormone receptors in our bodies, with “the experience of love building in us an increased capacity to appreciate love”.
It’s the opportunity to be around this kind of insight that brings in busloads of young midwifery graduates to the Bumi Sehat Clinic, “sent by their teachers to learn to infuse their future midwifery care-giving with love”. Here they are exposed to Robin’s formula on the love that a midwife must posses – “Respect for nature together with respect for culture plus a solid foundation in medical science.”
Her experiences have led her to a Zen-like philosophy on life that she sums up with a favorite saying of the midwife who delivered her fourth child. “We know what we know,” translating into what, for Robin, is an unconditional and loving acceptance of our own personal stage of development and respect and non-judgment for where others currently are. In Robin’s own take on acquiring a loving acceptance of all that is in the world, she reminds herself by repeating the words: “Is, is.” This is indeed living a life where nature calls the shots. She tells me: “The big carrot on the stick, enlightenment, as it is called, is perhaps only that, the tiny moment when one first feels agape (unconditional love for all). It is so simple, that people might not even realize they are enlightened.”
A little later Robin invites me to say a quick hello to the woman at whose birth I had been asked to ‘take in the energy’. Walking into the rooms here at the clinic I notice that they look much more like a simple bedroom, devoid of beeping machines, not in the least like stepping into a hospital ward. This brand new mother of one hour, also a Balinese villager, was breast-feeding her baby as her husband sat next to her. She looked happy, content and again, surprisingly fresh.
It seems that it’s true, as Robin has been quoted, that “the poorest women can enjoy the most beautiful birthing experiences, which not even the most expensive clinic could offer”. I’m reminded of an oft-used expression that actresses at award shows have been known to say: “If this film could help just one person, it would have all been worth it.” Well, this year at Robin’s three clinics, 1,400 babies will receive a tender and healthy welcoming to planet earth.
And if Dr. Odent is in fact correct in his observation that “humanity is at a turning point, when all our deep-rooted prenatal beliefs and rituals are losing their evolutionary advantages…and it’s time for humanity to invent a new strategy for survival” around learning the energy of love – it makes one consider what the world could potentially be like if there ever comes a time when a good percentage of the estimated 135 million babies that are born every year are welcomed with such compassion, intelligence and love as they are by Robin Lim and her team at Bumi Sehat. That’s a whole lot of potential natural birth energy to usher in a new way of living in this world.

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Nick Warren

Nick Warren

Innovator, Massive Attack Tour-Dj And Global Underground Top-Seller, Nick Warren Gives Us His Bird’s-Eye View Of The World.


NICK, how did you first arrive in Bali?
The first time I came was not to play music actually. I came this way to play the Millennium New Year’s in Sydney, so then I came through with the family. On the way back we decided to come for a week in Bali and we stayed in Ubud – I loved it back then. After that, when Supermodified Agency started handling my bookings in Asia, there was an offer to play here which is always fantastic.
What draws you back?
It’s such a mix of styles here and such a wide variety of tourists as well. You know, you’ve got all the high-end hotels and all the private villas as well, and then all the in-betweens. I like the vibe here, mainly because the locals are really, really friendly. I love all the rice terraces and all the clichéd tourist things…there’s a really chilled-out vibe here.
Growing up – what were your musical pointers or first inclinations toward music? Family?
Not really, my parents had what I would call an interesting record collection, which consisted of about six good records and 60 terrible ones. But…I think, that one of the major influences for me moving towards electronic music was that my dad had all of the early Jean-Michel Jarre albums. I used to listen to those with headphones – you know listen to them really loudly as a young teenager. It wasn’t the tracks, but what Jean Michel did with all these mad sounds…like ssshhhhhssshhh… you know all these weird sound-effects that he did to make those tracks – that is what really got me interested.
I would also mention that at the age of 12, I had already started collecting music – seven-inch singles back then. About seven or so every two weeks, and I‘d play them over and over and over again. All through my teenage years and into my early 20s, I’d spend all my money on records, and then it got the stage where I had a huge record collection, and I was good friends with some people at the art college in Bristol, and because I had a large record collection I was able to do house parties. So I was that pain-in-the-arse guy at the house parties. When the music stopped I’d put my cassette in because I thought I had a better selection of music than anyone else. So it evolved from that to me bringing my records to the parties and so on.
From there it went into me deejaying – but then I was never a really strong mixer. But in Bristol we had all of that early Bristol-sound with the Massive Attack and those guys…and from there it was into small clubs, and then a Thursday night in a club, and then Massive Attack asked me to be their tour DJ.
What was the first concert you attended?
Oh yes! Barry White when I about 14 in Bournemouth, which was about an hour up on the coast from Bristol with some friends…and I think my mate and I were the only two males there and all the rest were women.
What do you think it is about Bristol that has born so many talented musicians/groups?
Two things: One; the club scene isn’t very good there. Although saying that, it’s good…but it’s not big. So all the clubs you get maybe two or three hundred hundred people. But, then again, on a Monday night, it might be Drum & Bass; on Tuesday, hip-hop; and on Wednesday, techno; Thursday, progressive…so the clubs there are very multi-cultural, with a big Afro-Caribbean community. We’ve got influences from reggae and stuff like that, and I was an Indie-head – I was into Joy Division, and Depeche Mode, and New Order…if you listen to all the Bristol music you’ve got that cross-pollination of Dub and Indie.
How do you see the whole internet versus music industry equation? Pros and cons?
Anybody who is still fighting illegal downloading is just stupid. It’s there, it’s not going to change. There’s not enough money in music. If you put out the new Harry Potter movie, you’ll probably get back two-billion – so you’ve got a budget there to stop it getting on the internet. If you put out the new Nick Warren single, it’s gonna make a grand or two if you’re lucky, so there’s no budget to try to keep it off the internet. Maybe U2 or Coldplay – they might have the machine to try and stop it going on the internet. But even they don’t win with it, so it’s a waste of time to think that you can control it.
Has parenthood affected the way you operate?
Yeah, I’ve got a 14-year-old daughter. It affected my life completely, but I didn’t change my lifestyle enough because I separated from my wife. I’ve learnt from that, and I’ve got a new partner now, and if we start a family I think I’ll be a lot more understanding. I do have a great relationship with my daughter and ex-wife, and it works really, really well. When I’m home she stays with me, when I’m away she stays with her mum, so you know it’s a life-changing experience having kids.
Do you ever tire of touring? How do maintain your motivation?
Touring is easy because it’s non-stop. There are pretty much no breaks. But now I can record music on the road, whereas in the old days you’d have to be in a studio. When I make music now, I tend to start ideas, and when I’m running on gas, it’s just BANG and in one or two days I can have it nailed, and then you just have to add production values and stuff. But then there’s other times, when it’s not flowing, and I’ll have to go fishing or something.
What’s the funniest situation you’ve had to navigate as a DJ or producer?
Hmmm…well, I don’t know if this is a funny situation, but I was at this festival in Croatia, and part of the stage had collapsed while I was deejaying. One part had fallen about 30 feet through the scaffolding, and I had gotten cut up. But the DJ platform didn’t drop and was still playing, so I scrambled back up the scaffolding, got back in there, and managed to mix the next record in before the last one was finished.
What has been your most fondly memorable gig so far – and why?
Oh yes, always Argentina. Fantastic country, love the country, love the food, love the people, all sorts of amazing landscapes, great football, and the club scene is so, so cool. It’s very late night, no one goes to the clubs until three or three-thirty, and it’s packed until nine or 10 in the morning – they just love deep, underground music.
How would you describe your latest album the Balance 18 release – compared to previous outings?
My vibe is always, well, for mix-albums. I always try to do a journey, and not be too based on the dancefloor really – because I think that the secret to creating a good compilation, is something that you can listen to in the car, in the morning, in the afternoon or at night. So it’s very clubby, but there’s lot of melody and lots of drama and emotion, so it flows.
Do you sort of sketch it out first or does it happen as it goes along?
It’s weird – I get all these tracks from producers, and normally get sent about a thousand, and then I go through them and bring it down to about 60 or 70, and from there on I get 25, so it’s going through all those and seeing what works with what and just the vibe I’m after.
Is there anything you haven’t achieved yet that you’d still like to?
I’ve still not made my best record yet. So from everything I’ve done so far, there’s a few good ones in there… but then I’ve still not made the perfect one yet, and I hope I will do one day.
What’s your favorite footwear?
Sandals or Wellington boots…one or the other.

www.djnickwarren.com

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Mama Mia

Mama Mia!!

Industrial Colonial Meets The Modern Gent Amidst a Fanfare Of Woks, Noodles and Soups…


GASTRO urban chic meets gentlemen’s tiffin club in the newly-opened confines of Mama San. This new loft-eatery is taking fusion to a new level. Thankfully the ‘fusing’ has nothing to do with the ingredients and everything to do with the interiors. The food remains staunchly authentic as the menu guides one beautifully from Vietnam to Shanghai, Hainan and Peking to India and beyond. Effortless gourmet travel in mouthwatering seconds…But back to the interiors.
Visible brick and brass, polished cement and brown upholstered leather Chesterfields blend and juxtapose as well as the Dhania Gosht lamb cooked with chana dahl, green chili yoghurt and fresh coriander. Mahjong marble top tables with black chairs are a simple, yet elegant pairing as in the Kway Teow of beef with egg, bean sprouts, gai lan & sweet soy. Glass globe Dutch pendant lights, metal staircases and Shanghai-chic art bring the same visual appreciation to the fore as the crispy whole fish with three-flavour sauce, wild ginger, turmeric, pineapple chili and tamarind. Accents of cherry red standing lamps, silk cushions with matt polished cement floors are as a delightful a mix as the Kasoori Korma with chicken, tomato, bay leaf, cinnamon, cashew nut yoghurt and coriander. Then it is the black and white vintage images that offset the on-show industrial air ducts just as the crispy lamb ribs offset the ginger, coriander, lemon and pomegranate sauce they are bathed in.
It is the bringing together of Asian comfort food that has placed Mama San in the record books of the “reservations are a must” world. Yes, there are Asian bites and salads for the health conscious and crispy things for those less so; tandooris, woks, curries and soups for the ultimate hangover or hunger cure. There are even set meals for those whose brain is not quite in gear for the Asian gourmet tour that is their menu.
However, more than just a chic, urbanesque gudang for Eastern morsels, Mama San’s loft bar quietly teems with cocktail connoisseurs, amateurs and those who are still in training. As with the ground floor below, the décor oozes old world with new world charm. The boudoir lighting is highly flattering – sets the stage for a fun take on how to ‘mix’ and be remembered. Choice is king, with a wide range of tipples both ancient and modern. Martini’s come with a dropper of Dry Vermouth giving this classic a conversational twist. The Moscow Mules arrive in shiny, brass, footless chalices, while the humble clay drinking pot pays homage to Cambodia and its road to recovery. The Bloody Mary, a Yak must have, was still undergoing a fabulous Mama San makeover as I write. Now that, amongst every thing else currently in the Mama San pipeline, (and there are rather fabulous things afoot) is something we also look forward to.

Tel: 0361 730436 www.mamasanbali.com

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